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To see a PDF version of Bronia's
CV click here
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Design Work All projects are designs for Set and Costume unless otherwise stated |
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2007 |
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The Execution of Damiens |
Dir: Adel Al-Salloum & Sarah Françoise |
Lakeside Theatre |
Three short plays from Africa |
Dir: Karena Johnson |
Lakeside Theatre |
The Promise |
Dir: Zoë Waterman |
New Wimbledon Studio |
2006 |
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Global Village Opening Ceremony |
Dir: Zoë Waterman |
Kent County Show Ground |
Love Remains |
Dir: Benet Catty |
Pleasance Dome, Edinburgh |
Choreographer: Jonathan Lunn |
Robin Howard Dance Theatre |
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Cosi
Fan Tutte |
Dir: Ian Page |
Touring - Marlowe Theatre, Sadlers Wells, Bridgewater
Hall |
Dir: Zoë Waterman |
Nottingham Playhouse |
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2005 |
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Crossroads |
Choreographer: Vanessa Haska |
Robin Howard Dance Theatre |
Dir: Caroline Steinbeis |
The Pleasance Theatre, London |
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Pygmalion
George Bernard Shaw |
Dir: Peter Griffiths |
Touring |
Dir: Rhys Thomas |
Touring |
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Dir: Kenn Michaels |
Touring [costume design] |
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Swingin'
in Mid-Dream
Adapted from Shakespeare by Vik Sivalingam |
Dir: Vik Sivalingam |
Albany Theatre |
Love and
Money
Dennis Kelly |
Dir: Lucy Kerbel |
Young Vic |
2004 |
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| The
Tiger of the Seas & Promised Land Peter Griffith |
Dir: Clare Prenton |
Touring |
| Midsummer
Night’s Dream Shakespeare |
Dir: Peter Griffith |
Touring |
The Dark Lord and the White Witch, |
Dir: Howard Lester |
Touring [set design] |
| Henhouse Kaite O’Reilly |
Dir: Bill Hopkinson |
Arcola Theatre |
November Sky
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Dir: Mmoloki Chrystie |
Independent Short
Film [costume design]
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Choreographer: Carol Brown |
Bonnie Bird Theatre, Laban Centre [costume design] |
2003 |
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| After Sex All The Animals Are Sad Adam Brace |
Dir: Adam Brace |
Hoxton Hall Theatre & Edinburgh
Festival C+2 |
Princess of the Black Pavilion [Co-designed
with Anna Caligaro] |
Dir: Mathew Lloyd
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Tristen Bates
Theatre, London
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2002 |
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| Reaching
for the Blue Star Sky Nina Wigfall |
Dir: Gemma Soave |
Aphra Studio, Canterbury |
| Fall
of the House of Usher Stephen Berkoff |
Dir: Thom Disney |
Gulbenkian Theatre, Canterbury
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2001 |
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| Christie
in Love Howard Brenton |
Dir: Thom Disney |
Lumley Studio, Canterbury
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Waste [Co-designed with Hana Askew] |
Dir: Fabio Tassone |
Gulbenkian Theatre, Canterbury
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Other Theatre Work
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Assisting
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I assist other theatre designers doing Modelmaking,
Technical Drawing [by hand and on VectorWorks] and Research
on a freelance basis. |
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Scenic Painting
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As well as painting many of my own shows I have also done scenic painting for shows such as The Fear Engine Global Village Youth Festival [2006], Die Fledermaus Gulbenkian Theatre,Canterbury [2002] and Scapin Gulbenkian Theatre, Canterbury [1999]. |
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Virtual Reality
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In 2000 I worked on A Midsummer Night’s Dream for the Lumley Studio, Canterbury. This involved constructing several environments using virtual reality [VR] software to use as projections in this ground breaking production. I also operated the live navigation of the VR environments during the show. |
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Training
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2002-03 Motley Theatre Design Course |
The Motley Theatre Design Course was based around doing theoretical
designs for 7 different projects, each was developed with a professional
director for a real space. The course finished with an exhibition
at the National Theatre Studio. In addition to the projects the course included short courses in mask making, fabric dyeing and printing, scenic painting and design for film. Also regular lessons in the cut of period costume, technical drawing, theatre history and model making. |
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1998-2002 University of Kent at Canterbury |
A four year theatre studies degree with a final year specialism in Design for Performance. |
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©2007 Bronia Housman |